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Her

4.4 4.4 out of 5 stars 7,021 ratings
IMDb8.0/10.0

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Genre Drama/Love & Romance, Drama, Comedy
Format Multiple Formats, Dolby, Color, NTSC, AC-3, Subtitled, Widescreen
Contributor Amy Adams, Spike Jonze, Joaquin Phoenix, Scarlett Johansson
Language English
Runtime 2 hours and 6 minutes
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Product Description

Her (DVD)

From the unique perspective of Oscar®-nominated filmmaker Spike Jonze (Being John Malkovich, Adaptation) comes an original love story that explores the evolving nature -- and the risks -- of intimacy in the modern world. Set in the Los Angeles of the slight future, HER follows Theodore Twombly (Joaquin Phoenix), a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. Upon initiating it, he is delighted to meet "Samantha" (Scarlett Johansson), a bright, female voice, who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual and unconventional love for each other.

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Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ R (Restricted)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 2.4 ounces
  • Item model number ‏ : ‎ 28940899
  • Director ‏ : ‎ Spike Jonze
  • Media Format ‏ : ‎ Multiple Formats, Dolby, Color, NTSC, AC-3, Subtitled, Widescreen
  • Run time ‏ : ‎ 2 hours and 6 minutes
  • Release date ‏ : ‎ May 13, 2014
  • Actors ‏ : ‎ Joaquin Phoenix, Amy Adams, Scarlett Johansson
  • Subtitles: ‏ : ‎ Spanish, French
  • Language ‏ : ‎ English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
  • Studio ‏ : ‎ WarnerBrothers
  • ASIN ‏ : ‎ B00H9HZITU
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.4 4.4 out of 5 stars 7,021 ratings

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Top reviews from the United States

Reviewed in the United States on April 30, 2014
I'm not about to give you a review that tells what the movie is about because you can read on Amazon a plot line synopsis and many of the other reviews tell what the movie is about. Instead, I'm going to tell you in my review what the movie does for me and this is why I like the movie.

"Her" is a film that like the petals on a rose, it has many layers:

1. A touchy-feely film that takes a look at one's inner most feelings. I do not mean any disrespect, but this is a film that most men would not like for that reason. If one is into the Myers-Briggs Personality Indicator philosophy, one would say that the film's personality is an INFP. Some might say a too analytical investigation of emotions, over thought and over felt. Yet, it's the deep raw inner feelings that lay our souls bare, the exposed nerve of our inner core that I love about this film.

2. One might say this is a commentary on how our society is becoming far too dependent on technology. Such dependence leaving us emotionally crippled in a sterile environment surrounded by our own selves and lacking the ability to interact with others. The irony of Theodore's job as a professional letter writer, who writes deep heartfelt emotional letters for people is not lost on the viewer. Will we become a society that is so far removed from our feelings, so busy with our schedules, that we are incapable of writing our own letters, expressing our own emotions to our loved ones?

3. This film explores the age old question, "What makes us human?" Are we more than just our physical bodies? If we were to take our thoughts, our emotions, and our conscious awareness and place it into a computer, would then the computer be "human"? The science of "neural networks" is becoming more and more of a reality as scientists and computer experts work together to achieve this type of "immortality". Which begs the question, "If a deceased person's consciousness is transplanted into a computer or robot, does that make it a 'human' with rights?" Just what is 'human'?

4. Is a virtual relationship "real"? As more and more people get into computer dating and cybersex, we find ourselves asking this question. Virtual reality games are springing up all over the Internet. One that comes to mind is called, "Second Life". I personally know of people who have had virtual relationships in Second Life using avatars and either using the voice capabilities in Second Life to talk to each other, or they call each other on Skype while they watch their computer screen as their avatars "make love", a type of virtual reality cybersex-relationship that is becoming more and more common place. These people in Second Life, most, who have never met each other in person, claim their relationship is real and they are very much in love. But, when the computer is turned off, the person isn't there. Does our love just turn off and on with the flick of a switch? Can a virtual love, without the physical touch that seems to be so very much a part of a relationship, be satisfying enough? Is it really a relationship or is it merely a modern version of phone sex? Is it love? I've heard of true stories where people in a bygone era, would fall in love through letters. My own maternal grandparents did just that. So is it such a stretch of the imagination that we can fall in love virtually?

5. Can we love more than one person at the same time? Those who are in open marriages or open relationships claim that people are capable of having love, true romantic love, for more than one person at the same time. We see in the film how devastated Theodore becomes when he realizes he's "just one of many". We have all known or heard of people who have found out their loved one was cheating on them by finding a text message or an email. We all want to feel unique and special, but in an age when our technology makes it so very easy to have more than one relationship at the same time, we begin to question our heart's ability to withstand technological polygamy.

6. "Her" cuts to the quick, the bottom line being as human, as people, all of us basically want to be accepted for who we are, not judged and to be loved. Such basic human needs, that no matter how far removed our society becomes from a simpler, less technological age, we still are creatures that all need and want acceptance and love.

7. Is love just a biological chemical response or is it a deeper, transcendental, spiritual experience that goes beyond space and time? Love is more than just the scent of pheromones and the animal instinct to procreate. When we love, truly love, even after that person is gone from our life, our love still lives on. With each person who touches us deeply, they become a part of our soul. This film does not merely question love's transcendent nature, but stabs you in the heart with it as we watch the heart wrenching roller-coaster of emotions that Theodore experiences and as a result inevitably grows from it.

8. What constitutes being a "god"? If we make a computer or robot that is capable of being self-aware, in essence it is a "sentient being", then does that make us "god" as its creator? Will we go from being "God's creation" to becoming gods ourselves with the development of neural networks that can think, reason and feel emotions?

9. And lastly, one can simply view this film as nothing more than just a very strange chick flick about relationships and breakups. But I doubt that the type of people this film appeals to would take such a narrow view of this work of art. And yes, in my opinion, this film is a work of art on many levels, between its cinematography, its music score and its ability to tell an entertaining and deeply moving story. By far, this is one of Joaquin Phoenix's best, showcasing his acting as a truly talented performer.

"Her" is now on my top 10 list as one of my favorite films. However ladies, if you have a husband or boyfriend who's idea of a great film is Rambo First Blood, then you may have a difficult time selling him on the idea of going to see such a sensitive, emotional movie. I think this would be a great film as a "girls' night" movie. Ladies, wear your sweats, pop some popcorn, get out the chocolate bars and the tissues, gather up your BFFs and sink into the sofa, relax and watch this film together. You'll be glad you did.

UPDATE May 1, 2014 - Second viewing of the film: OK, so I watched the movie a second time after reading all the other reviews here at Amazon. With the negative review points in my head as I watched the film for a second time, yes, the movie does have some rather creepy scenes. And now, come to think of it, this time around I kept reminding myself that as human as she sounds, Samantha is just a computer program so falling in love with her is well, really ridiculous. This time around I tried to place myself in Theodore's position and I realized that no matter how enduring and how much I seemed to bond with Samantha, given the situations Theodore was in, I still wouldn't have fallen in love because in the back of my mind, Samantha is just a very intuitive and clever computer program. I doubt I would have gone as far as Theodore did in sharing my personal emotions with Samantha. I would have kept the relationship on a purely professional level, that of a software owner and his software that provides itself as an electronic tool and organizer, similar to a boss and his administrative assistant. Other reviewers say that Theodore turning down Olivia Wilde and Portia Doubleday is ridiculous, but I don't think so. Olivia gets into the whole, "I want a serious relationship" after only meeting Theodore for the first time over drinks. To me, that's a huge turn off and pretty freaking scary. I think most people would run for the hills. Portia Doubleday, although very attractive, she's far younger than Theodore and a total stranger. For some men, this wouldn't be an issue. But perhaps Theodore is like my husband who has said that dating a girl much younger would seem like dating your daughter. Also my husband is an old fashioned kind of guy that needs to know a woman well and have an established relationship long before hopping in bed with her. Some men are like that and Theodore seems like that type of guy. So all those reviewers that criticize the movie script for having Theodore rejecting these women, claiming that a "normal" man would never turn these women down for sex, don't really view these scenes from the prospective of Theodore's nerdy nice guy personality and instead they are viewing these scenes and seeing them as if they themselves were offered sex with these women. Anywho...I still like the movie, "Her" and I still think it's as wonderful as I said in my previous review above, but I now am viewing it from a different angle and wanted to express my thoughts on this. I still recommend this movie. It definitely is a must see for those who are deep thinkers with strong emotions. Those looking for macho testosterone induced action films with car chases and lots of violence, best pass this movie up.
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Reviewed in the United States on May 30, 2014
Some films just come around that explore facets of our being with such organic tenderness we can’t help but nestle into their storytelling arms and rest our heads on their delicately detailed shoulders and just fly away with them, to a part of our souls that sing so sweetly despite the lingering heartbreak we know we are bound to experience. Heartbreak laced with hope that the future, while seemingly bleak, is not as daunting as we imagine it to be.

‘Beginners’.
‘Once’.
‘Eternal Sunshine of the Spotless Mind’.
‘Lost in Translation’.

And now, we have ‘Her’. These are all films that, despite their quirky sides or their detailed (and effective) use of gimmicks all bare their hearts on their sleeves in a remarkable natural tone. There are no unnecessary dramatics, no processed manipulations. They all embrace the fluidity and organic nature of life itself to create real grounded stories about relationships that blossom and flourish and ultimately come to an end and yet they are never broken, shattered or dire. There is a beautiful message of hope, of life awakening even in the midst of despair because as human beings, we can move on, we can grow and we can survive.

‘Her’ tells the story of Theodore. Theodore is a lonely man. He is separated from his wife, who has filed for divorce, and spends his days writing letters for other people and then concludes his days at his apartment, alone. He’s haunted by a past that included a happy relationship filled with soulful interactions and a bond that felt spirited and upbeat, but something happened and it all ended and now Theodore finds it impossible to connect with anyone anymore. That is, until he meets Samantha. Samantha is an OS (Operating System) who adapts to the needs and desires of Theodore. It is immediately apparent that this isn’t a normal OS, but that Samantha is something special, at least for Theodore. She communicates with him, far beyond her normal duties, and becomes his friend. She understands him and draws him out and soon she begins to help him become the man he once was and had shelved for so long.

Samantha may not have a body, but she has a soul that runs deep.

There are so many things that impress me so much about ‘Her’ that it is almost hard to narrow them all down and put them into one review, but I must say that the single most impressive aspect of the film was the way that the relationship between Theodore and Samantha was handled, from the perspective of those outside of the relationship. This could have easily become one of those tense subjects that brought scorn or judgment from the supporting cast, but the way that Spike Jonze basically dismissed the strangeness of their relationship was remarkable. No one cared. Theodore’s friends never even batted a lash at it. Amy was wholly supportive, for she too was bonding with an OS. Paul, upon finding out that his friend’s girlfriend was an OS, doesn’t even question it. He just carries right on with his invitation to double date. The normalcy that was placed on the relationship helped ground the film, or at least ground the audience into the real dynamics of the film. This isn’t a film about a man’s relationship with an OS, this is a film about our human need to communicate, to bond.

I think that this aspect of the film makes the ex-wife, Catherine’s, reaction to Theodore’s relationship all the more haunting.

By using technology (and the advancement of such), Jonze created a world that speaks to us on so many levels. For me, ‘Her’ highlights that very innate desire to connect with someone, but ultimately the fear of actually doing just that. The fact is that sometimes it is hard to really connect with the people in front of us. Staring at someone, even someone we love, can make true communication difficult. We can feel their eyes, their judgment, their developing assumptions and yet when we take away the visual, some of the fear and anxiety strips away and we become a freer entity. ‘Her’ questions whether or not these devises we so often fall back on are a hindrance or a help, and in the process it explores themes like love, loss and hope.

‘Her’ depicts a depth of love that is not often found in films, but a love of real meaning and significance because Theodore and Samantha find a love that rests in the real person within and is not defined by a physical attraction.

But there is more to this story, as the final act will show.

Yes, Jonze’s masterful script (such a beautiful Oscar win) is so full bodied, for it builds up, tears down and then rebuilds (from a source that is born from the ashes) in a way that feels so real and relatable and construction. I love when a film can be constructive in ways that are completely unexpected.

Speaking of full bodied, these performances are just beautiful. All of the attention this year has been centered on Scarlett Johansson’s stunning voice work, a work that defied stereotypes by transcending the absence of body and giving us a very moving and intimate look at a woman discovering herself, day by day. While Johansson was tremendous, I feel that not enough attention has been given to Phoenix, who just continues to astound me. His performance here is marvelous. So intimate, so structured in this loose and organic way. He just folds into every scene with an air of abandon that I fell so deeply in love with. You can sense the guilt, fear and depression that haunt him when he is away from Samantha, and you can sense the freedom he feels when he is in her figurative arms.

This movie and all it represents is just beautiful.

For me, this is clearly one of the masterpieces of 2013. And A+ with honors. 2013 was, for me, a truly exceptional year that only grows and grows the more I think of it. There are few years in recent memory that delivered such a bounty of inspired, inspirational and breathtaking films. I can’t shake them…any of them. ‘Her’ is certainly one of the very best.
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Reviewed in the United States on May 4, 2024
Basically this movie traces the course of one man's love affair with his operating system, an AI named Samantha. For me it was a bit too talky, as they were constantly chatting. Samantha's voice sounded like a 40-year-old soccer mom until I learned it was Scarlett Johansson, then it sounded like Scarlett Johansson. I also couldn't help but see a more cuddly Joker in the character played by Joaquim Phoenix. He seemed to have the same struggle with the world around him and his mental sanity. So what did I like? Well, I enjoyed the side character played by Chris Pratt, the down-to-earth buffoon who keeps the movie from taking itself too seriously. Also that throwaway line about the one man who kept hitting on his operating system but was getting rejected. I wish they could make a movie about that guy. It would definitely be a comedy. This was a drama, and a weird one. It felt like it took place in a side reality, not the present or future of our universe. In other words, it seemed very unreal. The ending does have emotional impact, though. I guess if you're curious what it might be like to love an AI, this movie is worth watching.

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Don
5.0 out of 5 stars Excellent film. One of Phoenix's best roles
Reviewed in Canada on March 30, 2024
I was not expecting to like this movie as much as I did—I only picked it up because I tend to enjoy anything with Phoenix in a leading role. This may be one of my favourite films of this year, though. It is a compelling commentary on love, relationships, and the human need for connection anchored by some amazing performances from the entire cast. I honestly think this may be one of Phoenix's best roles tied with Joker and Caesar. It's an instant classic for me, and a must-see for anyone into sci-fi, romance, and having movies make you feel something.
I also really enjoyed the special features included. Well worth picking this one up on physical media.
Jepimon8
5.0 out of 5 stars DVD fonctionnel
Reviewed in France on February 17, 2024
Un futur "classique" ?
Mattscheibenvorfall
5.0 out of 5 stars Her
Reviewed in Germany on September 13, 2017
Wer andere Werke von Spike Jonze kennt, Adaption oder Being John Malkovich zum Beispiel, der weiß, dass der Regisseur oft mit seinen Stoffen polarisiert, so schräg, wie sie gerne mal daherkommen. Mit seinem jüngsten Film entführt er uns in die Welt des Theodeore Twombly, eine nahe Zukunft, ein Ort, dessen alltägliche Probleme und Ängste uns vertraut genug erscheinen, um sich mit ihnen identifizieren zu können, der aber auch weit genug von unseren Erfahrungen entfernt ist, um glaubwürdig den nötigen technologischen Fortschritt zu vermitteln. Theodore Twombly schreibt Briefe. Briefe für Menschen, die, aus welchen Gründen auch immer, ihren Gefühlen nicht genug Ausdruck verleihen können oder wollen. Theodore ist geschieden, beziehungsweise befindet er sich gerade mitten in einer Scheidung, er lebt allein, ist ein bisschen einsam, vielleicht einsamer, als er sich selbst eingestehen möchte und steckt irgendwie fest zwischen seiner Arbeit, zwischen all den Liebeserklärungen von wildfremden Menschen an wildfremde Menschen, die er niemals kennenlernen wird, und seiner eigenen Gefühlswelt, mit der er ironischer Weise nicht so gut zurechtkommt. An dieser Stelle tritt Samantha in sein Leben. Sie lernen sich kennen, sie verbringen Zeit miteinander, teilen Einsichten und Erkenntnisse, lachen, haben Spaß und verlieben sich schließlich ineinander. Das Problem ist nur: Samantha ist kein Mensch. Sie ist ein sogenanntes operating system (O.S.), eine Art hochentwickelte Version eines herkömmlichen Betriebssystems, eine künstliche Intelligenz, die selbstständig denkt und arbeitet, sich ihrer künstlichen Existenz bewusst ist, ständig dazu lernt, Empathie empfindet und ganz eigene Vorstellungen und Gefühle entwickelt. Ein Bewusstsein ist also vorhanden, vielleicht auch so etwas wie eine Seele, allerdings fehlt ihr etwas ganz entscheidendes: ein Körper.

Ich weiß, ich weiß… ich dachte anfangs auch: wie verrückt ist das denn?! Tatsache aber ist, diese absurd anmutende Geschichte wird so eindringlich und charmant, so warm und klug erzählt, dass sie funktioniert, und nicht nur das, sie funktioniert nicht bloß, sie ist absolut glaubwürdig und authentisch. So glaubwürdig, dass man ganz schnell vergisst, das Samantha nicht „echt“ ist. Und schon ist eines der Themen des Films auf dem Tisch, die Frage danach, was denn nun eigentlich echt ist und was nicht. Was genau ist Bewusstsein? Was macht uns aus? Was sind Gefühle? Was macht eine Beziehung aus? Was ist Liebe? Ein interessanter Punkt ist da auch Theodores Arbeit. Seine Briefe sind gefühlvoll und berührend, aber sie kommen von ihm und nicht von dem Menschen, von dem sie eigentlich kommen sollten, und das macht sie irgendwie nicht echt, nicht authentisch. Aber was ist echt, was nicht und wo sind da die Grenzen? Ist etwas echt bloß weil wir es empfinden? Macht es das real?

Ein großer Vorteil des Films, einer der Gründe, warum man sich durchaus auch in diese Situation hineinversetzen kann, ist der Umstand, das es kein visionärer Zukunftsquatsch ist, sondern lediglich eine bereits vorhandene Realitiät einfach nur konsequent weiter gedacht wird, nichts davon ist unvorstellbar, im Gegenteil, wir sind ja bereits auf dem besten Wege in eine Art digitale Entfremdung. Aber eigentlich gibt es nur einen einzigen Grund, warum diese Geschichte funktioniert, warum man trotz der bizarren Ausgangslage nachfühlen kann, was auf dem Bildschirm passiert: die wirklich überragende Leistung von Joaquin Phoenix als Theodore, der rund 85 – 90 Prozent des Films tragen muss, fehlt doch in sämtlichen Dialogen mit Samantha der physische Gegenpart. Diese wird zwar kaum weniger grandios von Scarlett Johansson gesprochen, so gut, so charmant und bezaubernd, dass man sich quasi in sie verlieben muss, aber sämtliche durchlebten Emotionen kann man an Phoenix Gesicht ablesen, alles wirkt völlig natürlich und dadurch auch absolut überzeugend und authentisch. Es fällt schnell nicht schwer, das Geschehen zu akzeptieren und ehe man sich versieht, ist man ein Teil davon, steckt mitten drin, lacht, freut sich und leidet mit Theodore. Auch durchlebt die Beziehung der beiden sämtliche Phasen herkömmlicher Beziehungen, Dinge, die wir nur allzu gut kennen: das Verliebtsein, die anfängliche Euphorie, den Alltag und schließlich die Weiterentwicklung der Beteiligten und die Entfremdung. Alles sehr nachvollziehbare Entwicklungen. Gerade Samantha ist im Laufe der Geschichte Veränderungen unterworfen, sie durchlebt eine regelrechte Evolution, vom absoluten Anfang ihrer Existenz, bis hin zu etwas, was selbst sie nicht mehr erklären kann. Theodore steht als Mensch dagegen, biologisch limitiert, wie ein fester Punkt nur zwischen seinen Gefühlen und ihrer Entwicklung, während Samantha an ihm vorbei zu rasen scheint.

Natürlich beinhaltet Her auch gesellschaftliche Kritik an den digitalen Entwicklungen unserer schnelllebigen Zeit, aber all das ist eher subtil und zurückhaltend eingebunden. Der Film will weniger bewerten oder verurteilen, er zeigt Tendenzen und Entwicklungen auf, aber was wir damit anfangen, ob das jetzt gut oder schlecht ist, ob es uns schadet oder nützt, das liegt letztlich ganz allein bei uns. In erster Linie erzählt Spike Jonze mit seinem Film eine Liebesgeschichte, so zart und anrührend wie verrückt und bizarr. Es geht um die Beschaffenheit unserer Gefühle, genau diese stellt der Film auf den Prüfstand, leise und immer irgendwie melancholisch, aber schlussendlich nie hoffnungslos. Her ist ganz großes Gefühlskino ohne auch nur eine Sekunde lang beliebig, platt oder kitschig daher zukommen, ist geradezu entwaffnend authentisch und einfach nur wunderschön erzählt und bewegend inszeniert.
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BlueBlood
5.0 out of 5 stars "A millas de distancia"
Reviewed in Spain on August 22, 2014
Hablando de la película en si, la idea de Spike Jonze es brillante y está contada con uno de los mejores guiones de este año. Conmueve y emociona a partes iguales y cuando empiezas a ver una película con la idea de que lo que te vas a encontrar es algo ficticio y/o imposible pero según avanza piensas "es la pura realidad" es que está tremendamente bien narrada e interpretada y si encima te saca alguna carcajada y más de 10 sonrisas es que ya es sobresaliente.

Joaquin Phoenix, está tremendo. Solamente con sus gestos y su mirada llena la pantalla. Además su relación con el SO es mucho más creíble que cientos de relaciones que hay ahora en la vida real. Y lejos de parece ridículo con esos pantalones de tiro sobaquero y esas camisas de colores indescriptibles, Phoenix luce tan natural que es de admirar.

La BSO también ayuda, está perfectamente encajada como una pieza más de la genial historia de amor que se cuenta en Her.

Me alegro de que haya directores como Jonze, que apuestan por cosas aparentemente sencillas y normales y con su gran imaginación y buen hacer las transforman en algo que además de sencillo es brillante. Si ya me gustó mucho "Donde viven los monstruos", "Her" me ha gustado aún más. Ambas películas comparten el hecho de que salgas del cine sintiendo algo dentro de ti, una especie de satisfacción que es difícil de explicar.

Por todo esto NECESITABA tener esta película en mi colección de Blu-Ray. Quizás se podrían haber currado un poquito más el envoltorio (la caja es un poco finita y no tiene mucho de donde agarrar... ni por fuera ni por dentro), pero el contenido del Blu-Ray es más que notable. Los fans de Joaquín Phoenix o de Spike Jonze quedarán más que satisfechos.
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Luciana Magri
5.0 out of 5 stars DVD Her
Reviewed in Brazil on May 7, 2024
Gostei da estória, super atual com inteligência artificial, e o medo de relacionamento com algum humano. Legal!